Today we sit down to learn more about designer Patryk Koca, he is generos with his answers on his design process and advice for inspiring designers, and shares his thoughts on AI and sustainability. We hope you enjoy this inspiring piece.
Introduction and Background
Trit: Can you tell us a bit about yourself and your journey into the world of furniture design?
Patryk Koca: My family was very much ingrained in the creative scene in Poland, from theatre, set design to visual arts. I believe this creative upbringing coupled with my dad always working on old French cars has sparked my interest in design from a young age.
This creative curiosity flowed through to my time at university, where I studied Industrial Design at UTS. It was during this period that I began to cultivate an appreciation for the iterative process of design and the inherent problem-solving aspects involved in crafting aesthetically pleasing yet functionally superior products.
Post-graduation, I had the privilege to work with Oskar Zieta. His approach and way of thinking are unlike anyone I have ever met – working with readily available materials he applies revolutionary thinking to manufacturing processes, to create truly unique products, sculptures, and furniture. I also had the pleasure to work alongside Adam Goodrum – an Australian design icon and innovative thinker in furniture and applied art.
Design Inspiration & Creative Process
Trit: Where do you draw inspiration for your pieces? Are there particular sources or experiences that you seek out when you are working on a project?
PK: My surroundings, experiences, the natural environment, my connection to art and culture, and the people around me are my daily inspiration. Looking back at history and trends is important so we don’t design in a vacuum. I often get inspired during down time – holiday trips up and down the NSW coast. Small coastal towns which coexist with stunning natural landscapes have contributed to inspire several of my designs for Sketch, including Tathra and Eden.
Trit: Can you share a specific moment or experience that inspired one of your notable designs?
PK: The Poise and Glide chairs although very different, were both born soon after I launched my own practice, and then we were plunged into a global pandemic. I was lucky to start my relationship with Sketch just before that.
Both Chairs were born from a need for structure in my life which resulted in understated simplicity and logical geometry. Products that don’t shout for attention but complement wonderful dining experiences. This is in contrast to the Tathra Table and Console as well as the Eden Coffee Tables which were shaped by the organic rock forms of the South Coast and are themselves bold statement pieces.
Trit: How do you go from an initial idea to a fully realised piece?
PK: Realising a project is a collaborative process. I am lucky to be working on a variety of projects with Sketch Interior. We have a very honest and open relationship, which means we are free to bounce ideas and share constructive feedback. Also, understanding the manufacturing capabilities is important before you put pen to paper. Some projects start with a brief, others develop through ideation and exploration. Some designs have organically grow into families like the Tye bedside tables and Nell sideboards. The Hover table for example translated beautifully into benches. Both share their design language with the Glide Stools and Chairs.
Trit: How would you describe your studio? What are some must-haves in your workspace?
PK: Like many, a crucial ritual to kickstart my creative flow involves the pleasure of savouring a cup of good coffee. I recently took the plunge and bought a Breville Barista Coffee Machine, which I turn on first thing in the morning – dangerously convenient. I like to listen to music when I am working sketching and designing. Equally crucial are the tools of my trade – B2 pencil (soft), accompanied by a A3 sketch pad and my laptop.
Come afternoon, I relish the opportunity to step out and engage with my clients and suppliers. Witnessing my designs come to life and conversing with those who contribute to the creation and distribution of my products in person is not just a professional necessity but a source of inspiration and connection.
Signature Style & Philosophy
Trit: Many designers develop a signature style. How would you describe your design style, and what elements set your work apart from others?
PK: I strive to craft pieces that don’t merely catch the eye at first glance but rather unfold their brilliance over time. Timeless design, for me, resides in meticulous attention to detail rather than a sweeping overall form. My passion lies in the subtle art of obsessing over junctions between materials, detailing where they seamlessly converge, quietly commanding appreciation without overt notice.
Trit: Do you have a design philosophy that guides your work? How does it influence the choices you make during the design process?
PK: I strongly believe that functionality and usability of a product is vital, but creating products using ethical and sustainable methods with timeless value is becoming increasingly important. Being trained in the value of aesthetics, my role is to marry an often limited manufacturing process with a set of principles that will result in a beautiful object that will remain desirable for decades. Bridging together ethical design and manufacturing with timeless styling for a positive future is my driving philosophy.
Trit: Different materials can dramatically impact the final product. How do you choose materials for your designs, and are there any materials you find particularly fascinating to work with?
PK: Somewhat unintentionally, I’m now identified as a designer of wooden products. It’s the most proven and versatile natural material, used for millennia that offers a positive charge to any interior. But I like a challenge – working with marble and travertine has been really exciting. I would really like to work more in concrete and upholstery as well. Polymers are the most challenging from a sustainability point of view, but we now have ample access to recycled stock. Taking that material out of the environment into timeless products is the responsible thing to do and is definitely a trend in design and manufacturing now.
Sustainability and the Future
Trit: With a focus on sustainability ever-present, how do you incorporate eco-friendly practices into your design process?
PK: Sustainability and longevity have rightfully claimed the spotlight across various industries, and the realm of furniture and design is no exception. Today’s consumers crave a deeper connection with the products they bring into their lives—knowledge about the craftsmen, the origins of materials, and the narrative behind each piece. This desire for a more profound understanding transforms the object or piece into more than just a possession; it becomes a part of a meaningful journey, enriching its perceived value.
Trit: From your perspective, what do you envision for the future of furniture design? Are there emerging trends or technologies that excite you?
PK: I am optimistic that this trend will continue to grow the awareness of the environmental impact and the desire for authentic, responsibly crafted items indicate a positive shift in consumer preferences.
Simultaneously, the influence of Artificial Intelligence (AI) looms large over various industries, design included. It’s an intriguing development, and I am eager to witness how AI can be harnessed to enhance the field. However, like many, I approach this with a degree of caution.
Striking the right balance between technological innovation and preserving the integrity of craftsmanship is a challenge that the design industry will need to navigate thoughtfully.
Advice for Aspiring Designers
Trit: What advice would you give to aspiring designers who are just starting their journey?
PK: In Australia, the design industry is close-knit, and the relationships you build during your university years can extend throughout your career. The effort you invest in connecting with peers from university can pay dividends, not only in career advancement but also in broadening your perspective on design.
In this relatively small industry, the importance of initiative cannot be overstated. Actively seek out opportunities to collaborate, share insights, and contribute to the collective knowledge of the design community. Attend industry events, join forums, and participate in discussions to stay abreast of the latest trends and innovations. Your network is not just a professional asset; it’s a valuable resource for expanding your understanding of design.
You can view various pieces by Patryk Koca in each of our showrooms or discover the range online. https://www.trithouse.com.au/collections/patryk-koca